Compression made easy.
Phantom powered analog FET-OPTO compressor with a one-knob design. Delivers smooth and natural compression, perfect for any audio setup.
Kompressor
Phantom powered FET-OPTO compressor for ribbon and dynamic microphones
At Triton Audio, we understand that great sound shouldn’t be complicated. That’s why we’ve engineered a compressor that simplifies the process without compromising on quality. Designed with both seasoned audio engineers and beginners in mind, Kompressor offers a one knob solution that makes achieving the perfect compression effortless. Perfect for home studios, podcasts, and professional recording environments. Compression made easy.
Operation
Your Kompressor will latch straight onto any XLR equipped microphone, or anywhere else in the signal path between microphone and preamp/mixer. The electronics are housed in a robust metal chassis with a balanced XLR input and output. Kompressor is powered by 48V phantom power.
How to use
Kompressor adds 25dB of gain, which decreases as more compression is dialed in.
Our design features a single knob that adjusts compression levels from Less to More. An orange LED inside the knob indicates when the signal reaches the compression threshold. If the LED flashes, it signifies light to medium compression; a continuously lit LED suggests heavy compression, which can be desirable for specific uses, such as on a drum room mic.
Due to the one-knob design, compression levels will vary depending on the microphone’s output. For example, with a low-output dynamic microphone like the Shure SM7B, the compression effect is more subtle. In contrast, higher-output microphones such as the Shure Beta58 or a Beyerdynamic M88 can trigger more pronounced compression. For really loud sources we recommend to use an AirHead.
Protects the microphone
Some older ribbon microphones do not tolerate phantom power. Kompressor uses phantom power to power its circuitry, but doesn’t pass phantom power to the microphone, so rest assured your ribbon mics are safe.
Specs
- For tube, ribbon and dynamic microphones
- 25 dB amplification (without compression)
- one knob operation
- Balanced jfet/opto design
- Balanced XLR input/output
- Circuit is powered with 48V phantom power
- Dimensions: 130 * Ø 30 mm
Mission
We believe in sharing our passion for music and audio electronics. This passion created the base for Triton Audio. Our friendship and different backgrounds in sound engineering, pro audio, and music production resulted in a strong partnership.
Warranty
We take pride in taking care of you and will always do what it takes to help a customer. Triton Audio provides, from the date of purchase, to the original purchaser, a 24-month limited warranty.
Quality
Our products are designed without deadlines and budget limits. We make no compromises on performance and quality. Our products are extremely low maintenance and designed and built to last a lifetime.
Philip Magee
Proven hitmaker Philip Magee has been working behind the scenes for more than 17 years, supporting artists like Kodaline, The Script, Gavin James, Miles Kane, The Academic, Wild Youth and many more.
“As you might know, I’m huge fan of Triton Audio, adding a Germanium transistor to the FetHead sounds very exciting.”
Chris Goss
“As long time fans of Masters of Reality and the man behind the plan, Chris Goss, we naturally were very proud when we learned he likes our D2O preamp!”
Nineyards Audio
“Our FetHeads are truly indispensable when recording podcasts with dynamic microphones! More gain, better sound!”